Thursday, October 4, 2012

The Three Tenors, Sorry, Marxists


THERE WERE THREE  masterful intellects that drove the Left forward during the 1960s and 1970s, and whose impact on generations of students is still with us today and has been, in no small way, responsible for this country’s decline into left wing hegemony, which now  grips our cultural and political establishments.
            These three Marxists were E P Thompson, Ralph Milliband, and Eric Hobsbawm. They were, to all of those who indulged themselves in revolutionary politics, and believed in the damnation of capitalism - the master players.
            Now, the last remaining member of this triumphrate has died. That Eric Hobsbawm (95)was a great historian there is little doubt, and a general consensus among modern historians would support such view.
As a Marxist myself during the late 1960s to the late 1970s, I read two of the volumes of his great trilogy, The Age of Revolution, and The Age of Empire. Both volumes removed the fog of dialectical materialism from the eyes of a prole without any academic understanding of philosophy. The Hobsbawm curse was that he turned what had been a romantic belief and shallow understanding of Marxism into a comprehensive one; but it still left me with the naivety associated with class politics, and the nastiness of the underlying envy that accompanies such naivety.
I cannot judge Hobsbawm as a historian, only as a Marxist; and one which, when the end came, and the whole hideous experiment failed, he still remained supportive of the system that the historical materialism was meant to bring about.
To have admitted failure would have admitted a failed life. So he at times, truculently, and obdurately tried to defend the indefensible. He praised, right to the end, Stalin, whose many murderous impulses equalled or surpassed those of Hitler. To quote from his Daily Telegraph’s obituary: In a television interview, Hobsbawm was asked whether, for such an accomplishment to take place[communism in the Soviet Union], ‘the loss of fifteen, twenty million people might have been justified?’
“ ‘Yes’, replied Hobsbawm”.
Such a riposte gives the true measure of the man. That he could see any kind of humanitarian impulse within such a totalitarian regime, is truly undermined by the above quote. Yet today politicians have paid their respects to Eric, including Ralph’s son, Ed Milliband, the leader of the Labour Party.

HOBSBAWN MAY RIGHTLY, after his death, have his literary output praised. But as an ideologue favouring the most cruel of dystopian arrangements (even in hindsight of its historical failure), he can be openly targeted and criticised. If he had had the good grace to admit that the Marxist gospel that he clung to, out of faith, proved a failure; then at least he would be remembered for his scholarship.
            Under the rule of the communist tsars, covering 0ver 70 years, Russia became the modern backdrop for Dante’s Divine Comedy, whose rubric fitted neatly into Soviet society; and Hobsbawm must have known this, but, like many who have been gripped by such idealism, he thought the pain and suffering was merited in order to fulfil the final synthesis that was to be the communist society.
            Eric Hobsbawm was an unrepentant sinner and should be treated as such by those who believe in democracy, which Hobsbawm obviously treated with contempt, except as a vehicle for his published works. He was a supporter of Stalin. There are no ifs or buts. You cannot blame the failure of his ‘utopian’ belief on his dogmatic attitude toward the disappointment he must have felt when Gorbachev said enough was enough and lifted the iron curtain and,  as a consequence, pulled down the Berlin Wall.
            What must have been going through our historian’s mind when these events unfolded? My guess is defiance: and that defiance asserted itself in belligerence and boldness toward any suggestion of the failure of Marxism. The rest is all down to the cruelty of old age and its ability to prove, through time, how mistaken a life spent believing in a particular nostrum can only bring bitterness and mulishness.

ALONG WITH HOBSBAWM, the historian E P Thompson’s History of the British Working Class also weaved its magic; as did Ralph Milliband, who wrote copiously for the New Left Review in the 1970s, and lectured at the London School of Economics (LSE) and sent, no doubt,  scientology-like, many young students out into the world to spread the Marxist virus throughout our schools and universities, as well as, many of our other cultural establishments.
While the Three Tenors brought nothing more than pure joy to the opera loving public; the Three Marxists weaved their nostrums into young minds, along with the ‘tolerant’ nature of ‘progressive’ politics; and, of course, the removal of the capitalist profit making eyesore from their lives.
So, in whatever profession they take, the LSE, as well as many red brick[1] students; from the 1960s and 1970s, will have been sent forth to remerge as left/liberals, and as such, as open minded left of centre types who have deemed, in class conscious terms, the Conservatives Party as the enemy of their collectivism. These students will have fallen fowl of such a liberal culture and welcomed it because of their parent’s own ‘progressive’ impulses.
On the evening of Hobsbawm’s death, the BBC decided to run a one hour tribute to the old Stalinist; while the Guardian lead with the story and used copious amounts of text to pay the same tribute. Page after page of Pravda-like accolades , of the kind that would appear on the death of a Soviet president, found their way into the liberal intelligentsia’s favourite tabloid.
Hobsbawm’s death hopefully brings to an end the insane worship which I and many of my generation once indulged in. The worship of a mechanical process that was, meant to predict the inevitable overthrow of the free market system, and bring into being the sunny uplands of communism; where human nature, as it has been recognised for over 200 millennia, is at last constrained by a stateless brotherhood working for the greater good of society.
In believing this, those who still do so, deserve the lifelong disappointment that Eric Hobsbawm so bitterly felt when his Sin City collapsed around him, and the cruel experiment was finally ended.





[1] Red brick universities were, in the 1970s, the covens of Marxist rebellion whose members were from both the middle and working classes.

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